I used to save all my rejection slips because I told myself, one day I’m going to autograph these and auction them. And then I lost the box.
~ James Lee Burke
The mainstream publishing world is shrinking, if not collapsing, in much the same way as the music industry has and is. This is due in part to the combination of the explosion in technology and the withering economy. However, the $50 million 4-book contracts for author “superstars” is largely to blame for the publishing companies having no money left to risk on the unknowns. Their stubborn refusal to move with the changes, rather than against them, is another drawback for new and talented authors seeking representation.
Rejection letters are a way of life for most authors. Now, more than ever before, finding an agent willing to read past two lines of a query letter is a daunting task. As authors, we tend to equate our value as a writer with an agent’s opinion. We label these people as experts. But even so-called experts get it wrong.
Here is a sampling of famous authors and the rejections they endured:
1. The Diary of Anne Frank was rejected 16 times. After reading the manuscript, one publisher wrote, “The girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the ‘curiosity’ level.”
2. Joseph Heller, author of the classic Catch-22, received this message from one publisher: “I haven’t the foggiest idea about what the man is trying to say. Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level.”
3. J.K. Rowling’s first Harry Potter book was rejected by a dozen publishers. Finally, a small London publisher took on the project because the CEO’s 8-year-old daughter begged him to print the book. I bet Penguin and HarperCollins regret their decision on that one every day.
4. Ernest Hemingway’s novel The Torrents of Spring received a scathing rejection. It read in part, “It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.”
5. A Time to Kill, bestselling author John Grisham’s first novel, was rejected by 16 agents, then a dozen publishers, before someone decided his work was worth printing.
6. When Edgar Allen Poe tried to break into the market with his short stories, one publisher had this to say, “Readers in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.”
7. Margaret Mitchell’s classic Gone With the Wind was rejected 38 times. What were all those “experts” thinking?
8. 17 publishers rejected The Princess Diaries by Meg Cabot.
9. When Herman Melville sent out his manuscript entitled Moby Dick, he was told, “We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in (England). It is very long, rather old-fashioned…”
10. Bestselling author Ayn Rand, whose books are now classics, suffered many rejections. After reading The Fountainhead, one publisher said, “I wish there were an audience for a book of this kind. But there isn’t. It won’t sell.” Fourteen years later, Rand went through a similar process with her book Atlas Shrugged. One publisher said, “… the book is much too long. There are too many long speeches… I regret to say that the book is unsaleable and unpublishable.” Fortunately, not everyone agreed.
11. Irving Stone’s novel Lust for Life was rejected 16 times before finding a publisher and going on to sell about 25 million copies.
12. Author megastar Stephen King was not immune to the harsh words of rejection letters. One publisher had this to say about King’s first novel Carrie, “We are not interested in science fiction which deals with negative utopias. They do not sell.”
Thankfully, these authors persevered despite the doors that continually slammed in their faces. Their books eventually found a home. But how many didn’t? How many equally talented – or even more talented – authors fell by the wayside? How many potential classics sit in a drawer because no agent or publisher believes the material is worth publishing?
I wrote for twelve years and collected 250 rejection slips before getting any fiction published, so I guess outside reinforcement isn’t all that important to me.
~ Lisa Alther






